Golden Hour Love
This painting and poem are part of the collection, Naive Confidence.
We care deeply about quality and have the products to show for it! Each of our fine art images begins with an intensive multi-week process that requires hours of high-end photography, digital color correction, multiple rounds of revisions, and more. Through this process, we aim to create an art piece where every square inch captures the magic and depth of the original itself.
All of our prints use museum-quality materials with archival inks to last a lifetime. Paper prints have a smooth matte finish, while canvas prints come with a gloss varnish finish. The artwork is beautifully packaged with the accompanying poem on 6x4" velvety smooth, matte card-stock paper.
Paper sizes refer to the paper's total dimensions and include a 1-inch white border. For example, an 18x24" paper print will have a 1-inch white border with a displayed image at 16x22".
Canvas sizes refer to the size of the image displayed. Rolled canvases come with an extra 3-6" border to allow for stretching after arrival.
Stretched canvas items come on the stretchers, ready to hang as soon as your item arrives! No need to bring it to a framer!
Rolled canvas items are a great option if you have unique framing preferences and/or you are shipping international! Rolled canvas ships rolled in a tube with an additional 6 inch border to allow for framing at your local frame shop.
Paper prints and *rolled canvas* are available worldwide. Stretched canvas prints are only available in the USA at this time. **$75.00 fragile items packaging and shipping fee is applied at checkout for stretched canvas items.
*Please note, import and duty taxes may also apply and are the customer’s responsibility for payment.
Each fine art print is created on demand with beautiful, high-end archival materials. Because of this, art prints can take about 1-2 months to ship.
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The Story Behind the Art
Naive Confidence
When I set out to paint 100 women in dresses, I had left my corporate job just over a year prior and had little to show for it. Sales were slow, my audience was relatively small, and the idea of painting 100 women in dresses fell flat when sharing with family and friends.
But for some reason, I believed in this story, and that was enough for me. It was audacious, but more than that, it was the epitome of naive confidence. I couldn't see all of the reasons why this wouldn't work, and that blindness was the sanctuary I needed for this work to grow wings.
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